Bowing Down Home Oral History Transcripts
File: cheveriecharles-oh-foundingfiddlerssociety_contests_M.mp3
Speakers:
CC β Fr. Charles Cheverie
In 1975, Faber MacDonald, the priest for our diocese, along with Joe Chaisson βAnd Joe and Fr. Faber wrote to all the fiddlers they knew at that time on the Island to gather at St.
File: mcpheehugh06-oh-forerunners_M.mp3
Speakers:
HM β Hughie McPhee
KP β Curator Ken Perlman
KP: Were people talking about forerunners in your time?
HM: Oh yeah there were lots of forerunners.
KP: Can you tell me about what forerunners
File: doucettejoe-oh-bowing,findingnotes.mp3
Speakers:
JD β Joe Doucette
KP β Curator Ken Perlman
KP: When you were six years old and just taking up the fiddle, did your father show you anything on the fiddle?
JD: NO, anymore than he told me that to start [with]
File: cheveriecharles06-oh-future_M.mp3
Speakers:
CC β Fr. Charles Cheverie
KP β Curator Ken Perlman
CC: I think it's going to flourish. There's enough interest in younger players that they will develop. Again, you're going to get all kinds of players that will play at it as
File: bergeronhelene-oh-kitchenparties.mp3
Speakers:
HB β Helene Arsenault Bergeron
HB: Yes, I'm very partial to my father's fiddling. It's the reason that I started dancing in the first place. Because it's the most danceable fiddling that I know of. The kitchen parties
File: macleandanny-oh-goodfiddler_M.mp3
Speakers:
DM β Danny MacLean
KP β Curator Ken Perlman
KP: what do you think makes a good fiddler? If you hear a fellow play, what about his music would stand out for you?
DM: What do you think makes him a good fiddler?
File: morrisonrita-oh--womanfiddling_M.mp3
Speakers:
RM β Rita Morrison
KP β Curator Ken Perlman
RM But they weren't encouraged as much maybe, were they?
KP I don't know! What do you think?
RM Well, it's like everything else now. There'
File: robinsonelmer92-oh-musicalbackground_M.mp3
Speakers:
ER βElmer Robinson
KP β Curator Ken Perlman
KP: Did you grow up in Woodstock?
ER: No, about 15 miles down the road here: Mount. Pleasant. Been up here fabout 20 years.
KP: Do you come from
File: doucettevictor06-oh-fathersrole_M.mp3
Speakers:
VD β Victor Doucette
Victor: I was in Ontario for a few years and then started to play it [the fiddle] up there again and started to fool around with it. But then when I got home and got married in the late 70s, then
File: macdonaldward06-oh-professionalopportunities_M.mp3
Speakers:
WM β Ward MacDonald
I think it's a combination of things: just the time right now, the time we're in right now. It's very easy to make a CD, any player that's trying to go anywhere has a website and they put a press kit
File: leardwarren92-oh-flourmill_M.mp3
Speakers:
WL β Warren Leard
KP: 1925. And I was told you own a mill, a flour mill.
WL: Yes, I have the only mill left on Prince Edward Island. That's a custom flour mill. We do grinding for the farmers, and I'm the third generation. My
File: macdonaldfaber-oh-thegift_M.mp3
Speakers:
FM β Rev Faber MacDonald
FM: I used to talk about the social nature of the gift. See, the gifts, God's gifts, are given to us not for ourselves. No! They're entrusted to us for everybody. And the human person, when he engages himself
File: cousinsjohn-oh-thegift_M.mp3
Speakers:
JC β John Cousins
JC: To become a fiddler, to become a good fiddler the term everyone used ad nauseum was "It was a gift." It was a gift; you were given this gift. And people said it sincerely. Only a few people were given this gift, but
File: arsenaultrobert-oh-fiddlersrepcultures_M.mp3
Speakers
RA: Robert Arsenault
RA: A fiddler carries his own level of feeling with him when he plays. A fiddler when he plays he plays with his body. A fiddler is a dancer and his whole entire body plays. You stop a fiddler from
File: albertjoe06-oh-musichome_lent_frolics_M.wav
Speakers
KP: curator Ken Perlman
JA: Joe Albert
IA: Ivan Albert
IA: Me and Joe's brothers but we got 12 brothers between us, between the two of us 10 others and we got 12 sisters. And we got 18 livin', and pretty much all