Bowing Down Home Oral History Transcripts
File: cheveriecharles-oh-donmesser_M.mp3
Speakers:
CC – Fr. Charles Cheverie
CC Then in 1939 or 1940, Don Messer came. Don Messer was a big, big name in fiddling. But Don Messer was a fiddler who came from New Bruns-wick, he had some classical training himself, was able to
File: arsenaulteddy-oh-styles_M.wav
Speaker:
EA — Eddy Arsenault
It don't make any difference where you go, you can go up west, you go to Tignish, you can go to Souris, you can go Summerside, everybody got a different style to play. You notice that? Now in New Brunswick they got a
File: cousinsjohn-oh-islandsounds_M.mp3
Speakers:
JC – John Cousins
JC: Speaking of sounds, not only music of course – The sounds of the farm, the traditional farm on PEI will probably never be heard now because they were never really recorded. The sound of a team. This farm never
File: macdonaldfrancis-oh-gettingstarted_M.mp3
Speakers:
FM – Francis MacDonald
KP – Curator Ken Perlman
KP So how old were you when you began playing?
FM Oh, I suppose around between 9 and 10 years old, somewhere in that range.
KP
File: macpheegeorge-oh-weddings_M.mp3
Speakers:
GM – George MacPhee
KP – Curator Ken Perlman
GM They had a certain tune they used to play for the old wedding dance. They used to tune the fiddle up in high bass, and Dad used to play it all the time. But it's kind of a tricky
File: hughesemmett-oh-doublestops_M.mp3
Speakers
EH – Emmett Hughes
KP – Curator Ken Perlman
KP I think I heard you use a lot of double strings in your playing, is that true? You try to hit two strings?
EH Yes, and a lot of times you
File: chaissonkevin-oh-pnoruns.mp3
Speakers:
KC — Kevin Chaisson
KC It's always in the background with the fiddle. The fiddle is — Stands out, and the piano is always in the background. But the thing that I like to do is — I don't even know what you call it. It's kinda like maybe a chord
File: stewartarchie-oh-playingforset_M.mp3
Speakers:
AS – Archie Stewart
KP – Curator Ken Perlman
AS There was a certain beat of music for each section [figure] of that set. Like when you started first, you wanted a fairly slow beat, because it was a slow back and forth.
File: quinnmerlin-oh-swingingrhythm_M.mp3
Speakers:
MQ – Merlin Quinn
KP – Curator Ken Perlman
MQ: I can teach you how to swing in about two seconds. You don't have to have a partner. And you don't have to have fast music. The thing about swingin is, music doesn't have to be fast
File: chaissonyoungpeter-oh-fourthfingerdemo_M.mp3
Speakers:
PC – "Young Peter" Chaisson
KP – Curator Ken Perlman
PC: It makes the tune. Remember what we were talking about there today?
KP: Yeah.
PC: Like there's – When it'
File: toolestephen-oh-takingsound_M.mp3
Speakers:
ST – Stephen Toole
KP – Curator Ken Perlman
ST And another thing about a fiddler is – I've heard my father sayin, I've heard a lot of people sayin that they can always tell a person that would never be a fiddler by the sound
File: dauschmidtkathryn06-oh-peerpressureupdate_M.mp3
Speakers:
KD – Kathryn Dau Schmidt
KD: I get the feeling there's not as much peer pressure because there's been enough young people playing that it's not looked at quite as weird as it was, in most places.
banksreg06-oh-changesqdances_M.mp3
Speakers:
RB – Reg Banks
KP – Ken Perlman
RB: Oh there's a lot of changes in the dances. I can hardly explain the dances today. They get up on the floor today, and they're dancin' around and they'd just be scufflin' around. Now, years ago
File: macinnisbillysenior06-oh-declinesqdances_M.mp3
Speakers:
BM – Billy MacInnis Sr.
KP – Curator Ken Perlman
BM:A lot of them dances was just a fiddle and a piano: not even vocalists, and you could in them days put 100 to 150 people in a hall just with a fiddle
File: banksreg06-oh-schooldances_piesocials.mp3
Speakers
RB – Reg Banks
KP – curator Ken Perlman
RB: Years ago they'd have the old-fashioned school houses, befoerr they's have the big high schools and all this. Every settlement had a school house. And they would have dances in