The information in this biography was published in 2015, based on interviews prior to that date. Later events and accomplishments may not be included.
Jackie Webster
Carl and Jackie Webster are brothers; their father was Jack Webster, one of the great fiddlers of the central and southern Kings Couny regions area from the 1930s through the 1960s into the 70s. When they were growing up, Jack was out playing at area dance halls several nights a week and people often dropped by in hopes that he would play for them. Jack achieved brilliant tone and a rhythmically compelling style despite only having the use of three left hand fingers.
The two brothers didn't get much encouragement to play fiddle during childhood, and both of them started relatively late: Jackie in his mid-teens and Carl in his late 20s. They had many of Jack's tunes in their heads of course, but a lot of their more recent repertoire came from listening to radio broadcasts and recordings of Cape Breton fiddlers: most notably those of Winston "Scotty" Fitzgerald.
During the 1950s, Jackie played frequently at local house parties and sometimes filled in for his father at dances when the latter took sick. When he got a permanent job on the Bordon-Cape Tormentine ferry, however, his hectic schedule left him little time or inclination to play. As he approached retirement in the late 1980s, however, he began playing much more regularly. Soon Carl and Jackie (who live directly across the road from each other) started meeting regularly to play, both for their own enjoyment and in performance at benefit concerts and music parties. Their duets are of particular interest because they play in nearly perfect unison: a phenomenon that is quite rare among ear players on PEI.
Carl & Jackie had been playing less frequently in the few years prior to the 2006 recordings. Much of their old magic returned on that occasion, however, at which they were accompanied by Jackie's son John Webster, who also plays in the well-known Island group Fiddlers' Sons.
Also of note: Carl and near neighbor Merlin Quinn discuss the playing styles of new generation players.
Images
Tune Selections
| Southern Melody / Polo March | Accompanied by: John Webster, gtr | Central Kings | info |
| CJWebster06 Jig 3 / Maggie Browne's Favorite / CJWebster06 Jig 4 | Accompanied by: Ken Perlman, bjo | Central Kings | info |
| Archie Menzies / Fisher's Hornpipe | Accompanied by: Donnie MacDonald, gtr | Central Kings | info |
| CJWebster96 Jig 1 / Jackson's Jig | Accompanied by: Paul MacDonald, gtr | Central Kings | info |
| John Morrison, Assynt House | Accompanied by: Donnie MacDonald, gtr; Ken Perlman, bjo | Central Kings | info |
| CJWebster06 Jig 5, CJWebster06 Jig 6 | Accompanied by: Ken Perlman, bjo | Central Kings | info |
| Archie Menzies / Fisher's Hornpipe | Accompanied by: Donnie MacDonald, gtr | Central Kings | info |
| CJWebster96 Jig 1 / Jackson's Jig | Accompanied by: Paul MacDonald, gtr | Central Kings | info |
| MacNab's Hornpipe / CJWebster06 Reel 7 | Accompanied by: Ken Perlman, bjo | Central Kings | info |
| CJWebster06 Jig 5, CJWebster06 Jig 6 | Accompanied by: Ken Perlman, bjo | Central Kings | info |
| CJWebster06 Reel 1 / CJWebster06 Reel 2 | Accompanied by: John Webster, gtr | Central Kings | info |
| CJWebster92 Reel 1 / Paddy on the Turnpike | Accompanied by: Donnie MacDonald, gtr | Central Kings | info |
| MacNab's Hornpipe / CJWebster06 Reel 7 | Accompanied by: Ken Perlman, bjo | Central Kings | info |
| Coilesfield House / Heather on the Hill | Accompanied by: John Webster, gtr | Central Kings | info |
| CJWebster06 Reel 1 / CJWebster06 Reel 2 | Accompanied by: John Webster, gtr | Central Kings | info |
| CJWebster92 Reel 1 / Paddy on the Turnpike | Accompanied by: Donnie MacDonald, gtr | Central Kings | info |
| Teviot Bridge / Judique Jig / Riverbend Jig | Accompanied by: John Webster, gtr | Central Kings | info |
| Coilesfield House / Heather on the Hill | Accompanied by: John Webster, gtr | Central Kings | info |
| Jay's Reel | Accompanied by: Donnie MacDonald, gtr | Central Kings | info |
| Sally Gardens / West Mabou Reel | Accompanied by: Donnie MacDonald, gtr | Central Kings | info |
| Teviot Bridge / Judique Jig / Riverbend Jig | Accompanied by: John Webster, gtr | Central Kings | info |
| Souris Breakwater | Unaccompanied | Central Kings | info |
| Sally Gardens / West Mabou Reel | Accompanied by: Donnie MacDonald, gtr | Central Kings | info |
| Teviot Bridge / Judique Jig / Riverbend Jig | Accompanied by: John Webster, gtr | Central Kings | info |
| Smash the Windows | Accompanied by: Donnie MacDonald, gtr | Central Kings | info |
| Big John MacNeil | Accompanied by: Ken Perlman, bjo | Central Kings | info |
| Sandy MacIntyre's Trip to Boston / Pigeon on the Gatepost | Accompanied by: Donnie MacDonald, gtr | Central Kings | info |
| Munster Lass / Light & Airy | Accompanied by: Donnie MacDonald, gtr | Central Kings | info |
| Ottawa Valley Reel | Accompanied by: Ken Perlman, bjo | Central Kings | info |
| Sandy MacIntyre's Trip to Boston / Pigeon on the Gatepost | Accompanied by: Donnie MacDonald, gtr | Central Kings | info |
| Munster Lass / Light & Airy | Accompanied by: Donnie MacDonald, gtr | Central Kings | info |
| Gerard Heintzman's pno | Accompanied by: Donnie MacDonald, gtr | Central Kings | info |
| Homeward Bound / Liberty Two-Step | Accompanied by: John Webster, gtr | Central Kings | info |
| Democratic Rage / Mary Claire | Accompanied by: Donnie MacDonald, gtr | Central Kings | info |
| Southern Melody / Polo March | Accompanied by: John Webster, gtr | Central Kings | info |
| Homeward Bound / Liberty Two-Step | Accompanied by: John Webster, gtr | Central Kings | info |
| Democratic Rage / Mary Claire | Accompanied by: Donnie MacDonald, gtr | Central Kings | info |
Oral histories
| New Generation players' styles | Young generation fiddlers tend to play too fast, get carried away: "Not puttin' it all in!" (Merlin Quinn joins in); it was the custom for fiddlers to be modest but the younger generation, they sometimes get their head swelled a little | info and transcript |
| Jack Webster's career | Jack Webster had use only of fingers 2 through 4, so he had to slide the little finger around to get to the higher registers; his bowing was perfect; the timing he put on it you couldn't help but dance; he played 5 or 6 nights a week between formal venues like the Beaver Club in Montague and the schoolhouses | info and transcript |
| Jack Webster's playing style | People would come to the house day or night asking him to play tunes, and he would stop work and play; he played dances and weddings; he had heart trouble at the end and was told not to play | info and transcript |