The information in this biography was published in 2015, based on interviews prior to that date. Later events and accomplishments may not be included.
Reuben Smith
Reuben Smith grew up in a major fiddling family. His father Charlie played, as did three maternal uncles: John James, Alec, and Andy McGuinness. His father's brother, Larry Smith was one of the most accomplished players of his day.
When Reuben was young, his father used to play the fiddle for recreation in the evenings. Reuben decided he wanted to try it himself, and one day when his parents were out he "sneaked the fiddle." His first tune was Cock of the North.
Most of the local house parties were held at his uncles' homes, because all of them owned pianos and had daughters in residence who were skilled accompanists. Reuben found that if a fiddler he heard at one of these dances played a tune he liked, he could remember it pretty easily. He also learned tunes by listening to Cape Breton fiddlers on radio and recordings; his favorites were Winston Fitzgerald, Carl MacKenzie, and Buddy MacMaster.
Smith started playing regularly for dances in the Tracadie area about 1960. For many years he ran his own weekly square dance at the Tracadie Community Center. At first, his wife Theresa provided all the accompaniment on guitar. Later on they were joined by Kaye MacEachern on piano, and finally by Ron Myers on electric guitar and vocals.
Smith was a founding member of the PEI Fiddlers' Society. Two of his original compositions are featured here: My Two Sons, and Kimmy's Jig. Bluewater Waltz was composed by MacEachern.
Images
Tune Selections
| Southern Melody / Polo March | Accompanied by: Kaye MacEachern, pno; Ron Myers, gtr; Theresa Smith, gtr | Western Queens | info |
| Southern Melody / Polo March | Accompanied by: Kaye MacEachern, pno; Ron Myers, gtr; Theresa Smith, gtr | Western Queens | info |
| Joys of Wedlock / Highland Jig | Accompanied by: Kaye MacEachern, pno; Ron Myers, gtr; Theresa Smith, gtr | Western Queens | info |
| RSmith Reel 1 | Accompanied by: Kaye MacEachern, pno; Ron Myers, gtr; Theresa Smith, gtr | Western Queens | info |
| Joys of Wedlock / Highland Jig | Accompanied by: Kaye MacEachern, pno; Ron Myers, gtr; Theresa Smith, gtr | Western Queens | info |
| Pigeon on the Gatepost | Accompanied by: Kaye MacEachern, pno; Ron Myers, gtr; Theresa Smith, gtr | Western Queens | info |
| Jackson's Jig | Accompanied by: Kaye MacEachern, pno; Ron Myers, gtr; Theresa Smith, gtr | Western Queens | info |
| Crooked Stovepipe / Down Yonder / Island by the Sea / Redwing | Accompanied by: Kaye MacEachern, pno; Ron Myers, gtr; Theresa Smith, gtr | Western Queens | info |
| My Two Sons / Kimmy's Jig | Accompanied by: Kaye MacEachern, pno; Ron Myers, gtr; Theresa Smith, gtr | Western Queens | info |
| Crooked Stovepipe / Down Yonder / Island by the Sea / Redwing | Accompanied by: Kaye MacEachern, pno; Ron Myers, gtr; Theresa Smith, gtr | Western Queens | info |
| My Two Sons / Kimmy's Jig | Accompanied by: Kaye MacEachern, pno; Ron Myers, gtr; Theresa Smith, gtr | Western Queens | info |
| Crooked Stovepipe / Down Yonder / Island by the Sea / Redwing | Accompanied by: Kaye MacEachern, pno; Ron Myers, gtr; Theresa Smith, gtr | Western Queens | info |
| Mrs. Norman MacKeigan | Accompanied by: Kaye MacEachern, pno; Ron Myers, gtr; Theresa Smith, gtr | Western Queens | info |
| Crooked Stovepipe / Down Yonder / Island by the Sea / Redwing | Accompanied by: Kaye MacEachern, pno; Ron Myers, gtr; Theresa Smith, gtr | Western Queens | info |
| Jerry's Beaver Hat / Rosewood Jig | Accompanied by: Kaye MacEachern, pno; Ron Myers, gtr; Theresa Smith, gtr | Western Queens | info |
| Bluewater Waltz / Too Old to Dream | Accompanied by: Kaye MacEachern, pno; Ron Myers, gtr; Theresa Smith, gtr | Western Queens | info |
| Jerry's Beaver Hat / Rosewood Jig | Accompanied by: Kaye MacEachern, pno; Ron Myers, gtr; Theresa Smith, gtr | Western Queens | info |
| Bluewater Waltz / Too Old to Dream | Accompanied by: Kaye MacEachern, pno; Ron Myers, gtr; Theresa Smith, gtr | Western Queens | info |
Oral histories
| Smith sneaks the fiddle | Getting hold of the fiddle in his father's absence | info and transcript |
| Smith's style of tune learning | If he heard a tune he liked at a dance he would take a crack at it when he went home; he could get them in his mind pretty easily; you learn the ones you like better; you can always tell someone who plays by ear, because you get all the extra details: they play "snappy music" | info and transcript |