The information in this biography was published in 2015, based on interviews prior to that date. Later events and accomplishments may not be included.
Leo Farrell
Leo Farrell was the scion of a relatively well off farm family, which substantially supplemented their income by raising foxes and selling their pelts. As a youth, he was still responsible for coming up with his own spending money, and found that playing for dances was more lucrative than hiring himself out as a laborer to local farmers.
Leo's father had been able to afford a family car as early as 1926, and when Leo came of age in the 1930s he got a car of his own, along with a warning that if he ever wrecked that one it would not be replaced. Thereafter Leo never felt the urge to over-indulge in alcoholic beverages. Having the car enabled him to play music – not only at local house parties and frolics – but at several commercial dance halls that were just then emerging in Prince County. By the early 1940s, he was playing for a circuit of dance halls that ranged throughout the eastern two-thirds of Prince County from Borden to Portage.
As Farrell tells the story, he developed an urge to play fiddle very young, before in fact he had ever heard one played. He saw a fiddle hanging on the wall at his maternal grandmother's house, and immediately felt the urge to bring it home (his maternal grandfather, Tom Woods had been a good fiddler, but had passed away before Leo was born). Leo got hold of the fiddle after much pleading, carved his own bow, and obtained hair for it from the tail of a farm horse. Since there was no music in the house, he learned the rudiments of playing from a local woman; the first tune she taught him was Wreck of the Old No. 9.
In 2006 at age 90, Farrell still enjoyed learning new tunes from his extensive collection of fiddling LPs.
Images
Tune Selections
| Andy's Jig | Unaccompanied | West Prince | info |
| Black Velvet Waltz | Accompanied by: Ken Perlman, bjo | West Prince | info |
| Wreck of the Old No. 9 / Wreck of the Old 97 | Accompanied by: Ken Perlman, bjo | West Prince | info |
| Wreck of the Old No. 9 / Wreck of the Old 97 | Accompanied by: Ken Perlman, bjo | West Prince | info |
| Irish Washerwoman | Accompanied by: Ken Perlman, bjo | West Prince | info |
| Hummingbird Waltz | Accompanied by: Ken Perlman, bjo | West Prince | info |
| Quadrille Waltz | Unaccompanied | West Prince | info |
| Topless Tavern Waltz | Accompanied by: Ken Perlman, bjo | West Prince | info |
| Joys of Québec | Accompanied by: Ken Perlman, bjo | West Prince | info |
Oral histories
| Wood chopping frolics | Wood chopping frolics with a dance afterwards | info and transcript |
| Farrell gets started | Felt a calling to the fiddle even before he ever saw any one play; carved own bow and got bow hair from the horse's tale; his first tune was "Wreck of the Old No. 9' | info and transcript |
| Dance playing income | He could make more fiddling than working on a farm; no pay in the towns | info and transcript |
| Virtues of restraint | Prohibition, teddies of rum; why he himself didn't drink much and how he avoided overdoing it | info and transcript |
| House parties around Central Lot 16 | General description of local house parties | info and transcript |